References
Thesis
Author
Mauro Squillante
Adorno Theodor W.: Dissonanze.
FELTRINELLI, Milano, 1959.
Ah Khe Chien: A New Symphonic Work.
in CHINA RECONSTRUCT, ott 1976.
Brace Tim: Popular Music in Contemporary Beijing: Modernism and Cultural Identity.
in ASIAN MUSIC, NY, Spring/Summer 1991.
Brook Tim: The Revival of China's Musical Culture.
in CHINA QUARTERLY, mar 1979.
Chang Peter: Tan Dun's String Quartet ''Feng Ya Song'': Some Ideological Issues.
in ASIAN MUSIC, New York, Spring/Summer 1991.
Chao Hua: Has Absolute Music No Class Character?
in PEKING REVIEW, mar 1974.
Chu Lan: Deepen the Criticism of the Bourgeois Theory of Human Nature.
in BEIJING REVIEW, set 1974.
Craig Dale A.: Whiter Chinese Traditional Music?
in THE WORLD OF MUSIC, Hong Kong, 1979.
Danielou Alain: Traité de Musicologie Comparée.
HERMANN, Paris, 1959.
Danielou Alan: The Situation of Music and Musicians in Countries of the Orient.
LEO S. OLSCHKI, Firenze, 1971.
De Morant George Soulié: Theatre et Musique Modernes en Chine.
LIBRAIRIE ORIENTALISTE PAUL GEUTHNER, Paris, 1926.
Final Report (Draft) of the Training Symposium on Musical Tradition in Asia and Pacific as Source of Inspiration for Contemporary Musical development.
in MUSICOLOGY IN CHINA, Beijing, 1989.
Fubini Enrico: L'Estetica Musicale dall'Antichità al Settecento.
EINAUDI, Torino, 1976.
Fubini Enrico: L'Estetica Musicale dal Settecento a Oggi.
EINAUDI, Torino, 1987.
Gamba Mario: Suoni in Libertà.
in RADIOCORRIERE TV, n. 29, 1992.
Granet Marcel: Feste e Canzoni dell'Antica Cina.
ADELPHI, Milano, 1990.
Hai Xing: My Father the Composer Ma Ko.
in CHINA RECONSTRUCTS, feb 1979.
Hamm Charles:
Music and Radio in the Peoples Republic of China.
in ASIAN MUSIC, NY, Spring/Summer 1991.
Han Kuo-Huang:
Special Bibliography. Three Chinese Musicologists: Yang Yinliu, Yin Falu, Li Chunhui.
in ETHNOMUSICOLOGY, set 1980.
Hwang You Tai: My Approach to a Modern Chinese Music.
in CHINESE CULTURE, Taiwan, 1972.
In commemoration of Nie Er and Xian Xinghai.
in CHINESE LITERATURE, 1956.
Jiang Jing: Influence of Traditional Chinese Music on Professional Instrumental Composition.
in ASIAN MUSIC, New York, Spring/Summer 1991.
Karpati Janos: Myth and Reality in the Theory of Chinese Tonal System.
in STUDIA MUSICOLOGICA, Budapest, vol xxii 1980.
Kartomi Margaret J.:
The process and results of Musical Culture Contact.
in ETHNOMUSICOLOGY, Middletown, mag 1981.
Kouvenhoven Frank:
Out of the desert. Mainland China New Music (1).
in CHIME NEWSLETTER, Leiden, Aut 1990.
Kouvenhoven Frank: Madly Singing in the Mountain. Mainland China Music (2).
CHIMES NEWSLETTER, Leiden, Spr 1990.
Kouvenhoven Frank: The Age of Pluralism. Mainland China New Music (3).
in CHIME NEWSLETTER, Leiden, Spring 1992.
Kouvenhoven Frank: Composer Tan Dun: The Ritual Fire Dance of Mainland China's New Music.
in CHINA INFORMATION, Leiden, Nov. 1991/92.
Kouvenhoven Frank: Lecture: New Music in China & the Far East.
Conferenza presso l'Istituto di Ricerca del Teatro Musicale. Roma, 1-2 dicembre 1992.
Krauss Richard: ''Piano and Politics in China''.
OXFORD UNIVERSITY PRESS, New York, 1989.
Kuo Huang Han - Lindy Li Mark: Evolution and Revolution in Chinese Music.
in ''Music of Many Cultures'', ELISABETH MAY EDITOR, UNIVERSITY OF CALIFORNIA PRESS, 1976.
Laloy Louis: La Musique Chinoise.
LAURENCE EDITEUR, Paris, 1909.
Laloy Louis: La Musique et les Philosophes Chinoise.
in LA REVUE MUSICALE, feb 1925.
Lebatteux Jean-Luc: La Vie Musicale en Chine.
in DIAPASON, gen 1981.
Legge James:
Traduzione dello Yue Ji in ''The Sacred Books of China'': the Texts of Confucianism'' Part IV, the Li Ji, XI-XLVI.
Prima pubblicazione OXFORD UNIVERSITY PRESS, 1885.
Ristampa di MODILAL BANARSIDASS, Delhi, 1968.
Levis John Hazedel: Foundation of Chinese Musical Art.
PARAGON BOOK REPRINT CORP., New York, 1963.
Liang Ming Yue: Music of the Billion. An Introduction to Chinese Musical Culture.
HEINRICHSKOFEN, New York, 1985.
Liao Fu Shu:
Xiao Yu Mei, Pioneer in Chinese Music Education.
in CHINA RECONSTRUCTS, giu 1981.
Lissa Zofia:
Sul Carattere di Classe delle Composizioni Musicali.
in ''La Sociologia della Musica, Antologia''. EDT/MUSICA, Milano, 1980.
Ma Hiao Ts'iun:
La Musique Chinoise de Style Européen-These pour le Doctorat d'Université Presentée a la Faculté des Lettres de l'Université de Paris.
JOUVE & C. EDITEURS, Paris, 1941.
Mao Yurun:
Music under Mao, It's Background and Aftermath.
in ASIAN MUSIC, NY, Spring/Summer 1991.
Mao Zedong: A talk to Music Workers.
in BEIJING REVIEW, set 1979.
Mao Zedong: Sulla Letteratura e l'Arte.
EDIZIONI ORIENTE, Milano.
McLuhan Marshall: La Galassia Gutenberg.
ARMANDO EDITORE, Roma, 1976.
Messinis P. - Scarnecchia P.: Musica e Politica.
MARSILIO EDITORI, Venezia, 1978.
Musical Life.
in CHINA NEWS ANALYSIS, Hong Kong, dic 1976.
Perris Arnold: Music as Propaganda: Art at the Command of Doctrine in the Peoples Republic of China.
in ETHNOMUSICOLOGY, Middletown, gen 1983.
Presentation des Travaux des Eleves du Cursus de Composition et Informatique Musicale (1991/1992).
COLLEGE IRCAM, Paris, gen 1992.
Prod'homme J.G.: Thoughts on Music and Musicians.
in THE MUSICAL QUARTERLY, New York, lug 1925.
Schimmelpenninck A. & Kouvenhoven F.: The Shanghai Conservatory of Music: History and Foreign Students' Experiences.
in CHIME NEWSLETTERS, Leiden, spring 1993.
Scott A.C.: Literature and the Arts in Twentieth Century China.
GEORGE ALLEN & UNWIN LTD, London.
Shepherd John: La Musica Come Sapere Sociale.
RICORDI, Milano, 1977.
Song Xin: China's Young and Promising Composers.
in BEIJING REVIEW, set 1986.
Tan Ai qing: The Homecoming of Pianist Fou Tsong.
in CHINA RECONSTRUCTS, mag 1980.
Tcherepnine Alexander: Music in Modern China.
in THE MUSICAL QUARTERLY, New York, ott 1935.
Tedeschi Rubens: Zdanov l'Immortale-Sessant'anni di Musica Sovietica.
DISCANTO EDIZIONI, Fiesole, 1980.
The First National Music Festival.
in CHINESE LITERATURE, n. 1, 1957.
Thrasher Alan R.: Foundations of Chinese Music. A Study on Ethics and Aesthetics.
WESLEYAN UNIVERSITY PRESS, Middletown, 1980.
Tien Han: The Composer Nie Er.
in CHINESE LITERATURE, n. 11, 1959.
Ting Shan Teh: What Makes the Chinese People Accept and Appreciate Chopin Music.
FIRST INTERNATIONAL MUSICOLOGICAL CONGRESS DEVOTE TO THE WORKS OF F. CHOPIN, Warszawa, 1960.
Topping Seymour: Thaw Freeze and Thaw Again: the Cultural Weather in China.
THE NEW YORK TIMES, 27 dic 1987.
Tsun Yuen Lui: Introduction to the Traditional Music of China.
MUSICULTURA - 1.
The New Grove Dictionary of Music and Musicians.
STANLEY SADIE, 1980.
Dizionario della Musica e dei Musicisti.
UTET, Torino, 1983.
Wang Anguo: A Review of the ''New Tide'' in China's Musical Composition.
in MUSICOLOGY IN CHINA, Beijing, 1989.
Wang Lisan: New Tide and old Roots: Special Speech at the ''1st Modern Chinese Composers' Music Festival'' in Hong Kong.
in MUSICOLOGY IN CHINA, Beijing, 1989.
Wang Yuhe: Zhongguo Jin Xiandai Yinyue Shi.
RENMIN YINYUE CHUBANSHE, Beijin, 1984.
Wei Tingge: ''Developments in China's Piano Composition''.
in MUSICOLOGY IN CHINA, Beijing, 1989.
Witzleben J. Lawrence: Studying Chinese Music in Shanghai.
in CHINA EX NEWS, dic 1983.
Wu The Li: The Maoist Struggle in the Musical Arena: Criticism of the Untitled Music.
in ISSUES AND STUDIES, mag 1974.
Zheng Yinglie: Letter from China: The Use of Twelve-Tone Technique in Chinese Musical Composition.
in THE MUSICAL QUARTERLY, New York, n.3 1990.
Partiture .
Chen Xiaoyong: *
Streichquartett nr.1. 1986/1987.
Chen Yi: *
Woodwind Quintet. New York, 1987.
Chen Yi: *
As in a Dream: Two Songs for Soprano, Violin and Cello. Poems by Li qingzhao (Song Dynasty). New York, 1988.
Gang qin Xie Zou Qu ''Huang He''. RENMIN WENXUE, Beijing, 1980.
Ge Ganru: *
Yi Feng (For Solo Cello). 1983.
He Xuntian: *
Sounds of Nature. 1986.
Nieh Erh: Marcia dei Volontari-Inno Nazionale Cinese.
in CHINA RECONSTRUCTS, ott 1978.
Qu Xiaosong: *
Mong Dong. 1984.
Xu Shuya:
Taiyi II pour Flute et Bande. 1991.
Xu Yi:
Tao 1. Paris, 1991/1992.
Yin Cheng Tsung: Composizione Pianistica ''La Lanterna Rossa'' col Canto dell'Opera di Pechino.
Supplemento Speciale a ''LA CINA'', n. 9, 1968.
Discografia.
1) Musica Tradizionale: Sword Dance: Chinese Plucked Instrumental Music Series vol.1.
CD HRP724-2 HUGO PRODUCTIONS, Hong Kong, 1988.
2) The Hugo Masters: an Anthology of Chinese Classical Music voll 1 (Bowed String), 2 (Plucked String), 3 (Wind Instruments), 4 (Percussion).
CCDD 13042-2, 13043-2, 13044-2, 13045-2, HUGO PRODUCTIONS, Hong Kong, 1992.
3) China-Music of the Pipa. Li Pui-yuen Pipa.
CD 7559-72085 ELEKTRA ENTERTAINMENT, New York, 1991.
4) The Guo Brothers: Yuan.
CD RW11 REAL WORLD, Wiltshire UK, 1990.
5) Dragon Boat: Pipa Solos by He Shufeng.
EL-181 CHINA RECORD CO.,Shanghai, 1987.
6) Chinese Melody. Ensemble of Plucked Instruments.
HL-600 CHINA RECORD CO., Shanghai, 1989.
7) Moonlight Melodies vol.1. The Orchestra of Shanghai Conservatory.
HRP803/4 HUGO RECORDING, Hong Kong, 1987.
8) Liu Tianhua - Hua Yanjun: Masterpieces on the Erhu.
8602 CHINA TOURISM AUDIO-VISUAL PUBLICATION, 1982.
9) Xian Xinghai: Yellow River Cantata.
PHILIPS.
10) The Yellow River - Piano Music by Chinese Composers.
CD CCD89/063 CHINA RECORD CO, Shanghai, 1989.
11) First Contemporary Chinese Composers Festival.
CD 8.240442HK PACIFIC MUSIC CO., Hong Kong, 1986.
12) Compositions Awarded with Chinese Record Prizes.
HL-513 CHINA RECORD CO., Shanghai, 1986.
13) Compositions Awarded with Chinese Record Prizes.
HL-514 CHINA RECORD CO., Shanghai, 1986.
14) Tan Dun: Nine Songs - Ritual Opera.
CD 603CRI CROSSINGS PRODUCTIONS, New York, 1990.
15) Ye Ganru: Composizioni.
Registrazione dalla radio olandese, 1990.
16) Seven Chinese Contemporary Composers.
Concerto tenuto il 3 aprile 1991 a Utrecht e trasmesso alla radio olandese.
17) Xu Shuya: Composizioni.
Registrazione da Radio France, 1991.
FELTRINELLI, Milano, 1959.
Ah Khe Chien: A New Symphonic Work.
in CHINA RECONSTRUCT, ott 1976.
Brace Tim: Popular Music in Contemporary Beijing: Modernism and Cultural Identity.
in ASIAN MUSIC, NY, Spring/Summer 1991.
Brook Tim: The Revival of China's Musical Culture.
in CHINA QUARTERLY, mar 1979.
Chang Peter: Tan Dun's String Quartet ''Feng Ya Song'': Some Ideological Issues.
in ASIAN MUSIC, New York, Spring/Summer 1991.
Chao Hua: Has Absolute Music No Class Character?
in PEKING REVIEW, mar 1974.
Chu Lan: Deepen the Criticism of the Bourgeois Theory of Human Nature.
in BEIJING REVIEW, set 1974.
Craig Dale A.: Whiter Chinese Traditional Music?
in THE WORLD OF MUSIC, Hong Kong, 1979.
Danielou Alain: Traité de Musicologie Comparée.
HERMANN, Paris, 1959.
Danielou Alan: The Situation of Music and Musicians in Countries of the Orient.
LEO S. OLSCHKI, Firenze, 1971.
De Morant George Soulié: Theatre et Musique Modernes en Chine.
LIBRAIRIE ORIENTALISTE PAUL GEUTHNER, Paris, 1926.
Final Report (Draft) of the Training Symposium on Musical Tradition in Asia and Pacific as Source of Inspiration for Contemporary Musical development.
in MUSICOLOGY IN CHINA, Beijing, 1989.
Fubini Enrico: L'Estetica Musicale dall'Antichità al Settecento.
EINAUDI, Torino, 1976.
Fubini Enrico: L'Estetica Musicale dal Settecento a Oggi.
EINAUDI, Torino, 1987.
Gamba Mario: Suoni in Libertà.
in RADIOCORRIERE TV, n. 29, 1992.
Granet Marcel: Feste e Canzoni dell'Antica Cina.
ADELPHI, Milano, 1990.
Hai Xing: My Father the Composer Ma Ko.
in CHINA RECONSTRUCTS, feb 1979.
Hamm Charles:
Music and Radio in the Peoples Republic of China.
in ASIAN MUSIC, NY, Spring/Summer 1991.
Han Kuo-Huang:
Special Bibliography. Three Chinese Musicologists: Yang Yinliu, Yin Falu, Li Chunhui.
in ETHNOMUSICOLOGY, set 1980.
Hwang You Tai: My Approach to a Modern Chinese Music.
in CHINESE CULTURE, Taiwan, 1972.
In commemoration of Nie Er and Xian Xinghai.
in CHINESE LITERATURE, 1956.
Jiang Jing: Influence of Traditional Chinese Music on Professional Instrumental Composition.
in ASIAN MUSIC, New York, Spring/Summer 1991.
Karpati Janos: Myth and Reality in the Theory of Chinese Tonal System.
in STUDIA MUSICOLOGICA, Budapest, vol xxii 1980.
Kartomi Margaret J.:
The process and results of Musical Culture Contact.
in ETHNOMUSICOLOGY, Middletown, mag 1981.
Kouvenhoven Frank:
Out of the desert. Mainland China New Music (1).
in CHIME NEWSLETTER, Leiden, Aut 1990.
Kouvenhoven Frank: Madly Singing in the Mountain. Mainland China Music (2).
CHIMES NEWSLETTER, Leiden, Spr 1990.
Kouvenhoven Frank: The Age of Pluralism. Mainland China New Music (3).
in CHIME NEWSLETTER, Leiden, Spring 1992.
Kouvenhoven Frank: Composer Tan Dun: The Ritual Fire Dance of Mainland China's New Music.
in CHINA INFORMATION, Leiden, Nov. 1991/92.
Kouvenhoven Frank: Lecture: New Music in China & the Far East.
Conferenza presso l'Istituto di Ricerca del Teatro Musicale. Roma, 1-2 dicembre 1992.
Krauss Richard: ''Piano and Politics in China''.
OXFORD UNIVERSITY PRESS, New York, 1989.
Kuo Huang Han - Lindy Li Mark: Evolution and Revolution in Chinese Music.
in ''Music of Many Cultures'', ELISABETH MAY EDITOR, UNIVERSITY OF CALIFORNIA PRESS, 1976.
Laloy Louis: La Musique Chinoise.
LAURENCE EDITEUR, Paris, 1909.
Laloy Louis: La Musique et les Philosophes Chinoise.
in LA REVUE MUSICALE, feb 1925.
Lebatteux Jean-Luc: La Vie Musicale en Chine.
in DIAPASON, gen 1981.
Legge James:
Traduzione dello Yue Ji in ''The Sacred Books of China'': the Texts of Confucianism'' Part IV, the Li Ji, XI-XLVI.
Prima pubblicazione OXFORD UNIVERSITY PRESS, 1885.
Ristampa di MODILAL BANARSIDASS, Delhi, 1968.
Levis John Hazedel: Foundation of Chinese Musical Art.
PARAGON BOOK REPRINT CORP., New York, 1963.
Liang Ming Yue: Music of the Billion. An Introduction to Chinese Musical Culture.
HEINRICHSKOFEN, New York, 1985.
Liao Fu Shu:
Xiao Yu Mei, Pioneer in Chinese Music Education.
in CHINA RECONSTRUCTS, giu 1981.
Lissa Zofia:
Sul Carattere di Classe delle Composizioni Musicali.
in ''La Sociologia della Musica, Antologia''. EDT/MUSICA, Milano, 1980.
Ma Hiao Ts'iun:
La Musique Chinoise de Style Européen-These pour le Doctorat d'Université Presentée a la Faculté des Lettres de l'Université de Paris.
JOUVE & C. EDITEURS, Paris, 1941.
Mao Yurun:
Music under Mao, It's Background and Aftermath.
in ASIAN MUSIC, NY, Spring/Summer 1991.
Mao Zedong: A talk to Music Workers.
in BEIJING REVIEW, set 1979.
Mao Zedong: Sulla Letteratura e l'Arte.
EDIZIONI ORIENTE, Milano.
McLuhan Marshall: La Galassia Gutenberg.
ARMANDO EDITORE, Roma, 1976.
Messinis P. - Scarnecchia P.: Musica e Politica.
MARSILIO EDITORI, Venezia, 1978.
Musical Life.
in CHINA NEWS ANALYSIS, Hong Kong, dic 1976.
Perris Arnold: Music as Propaganda: Art at the Command of Doctrine in the Peoples Republic of China.
in ETHNOMUSICOLOGY, Middletown, gen 1983.
Presentation des Travaux des Eleves du Cursus de Composition et Informatique Musicale (1991/1992).
COLLEGE IRCAM, Paris, gen 1992.
Prod'homme J.G.: Thoughts on Music and Musicians.
in THE MUSICAL QUARTERLY, New York, lug 1925.
Schimmelpenninck A. & Kouvenhoven F.: The Shanghai Conservatory of Music: History and Foreign Students' Experiences.
in CHIME NEWSLETTERS, Leiden, spring 1993.
Scott A.C.: Literature and the Arts in Twentieth Century China.
GEORGE ALLEN & UNWIN LTD, London.
Shepherd John: La Musica Come Sapere Sociale.
RICORDI, Milano, 1977.
Song Xin: China's Young and Promising Composers.
in BEIJING REVIEW, set 1986.
Tan Ai qing: The Homecoming of Pianist Fou Tsong.
in CHINA RECONSTRUCTS, mag 1980.
Tcherepnine Alexander: Music in Modern China.
in THE MUSICAL QUARTERLY, New York, ott 1935.
Tedeschi Rubens: Zdanov l'Immortale-Sessant'anni di Musica Sovietica.
DISCANTO EDIZIONI, Fiesole, 1980.
The First National Music Festival.
in CHINESE LITERATURE, n. 1, 1957.
Thrasher Alan R.: Foundations of Chinese Music. A Study on Ethics and Aesthetics.
WESLEYAN UNIVERSITY PRESS, Middletown, 1980.
Tien Han: The Composer Nie Er.
in CHINESE LITERATURE, n. 11, 1959.
Ting Shan Teh: What Makes the Chinese People Accept and Appreciate Chopin Music.
FIRST INTERNATIONAL MUSICOLOGICAL CONGRESS DEVOTE TO THE WORKS OF F. CHOPIN, Warszawa, 1960.
Topping Seymour: Thaw Freeze and Thaw Again: the Cultural Weather in China.
THE NEW YORK TIMES, 27 dic 1987.
Tsun Yuen Lui: Introduction to the Traditional Music of China.
MUSICULTURA - 1.
The New Grove Dictionary of Music and Musicians.
STANLEY SADIE, 1980.
Dizionario della Musica e dei Musicisti.
UTET, Torino, 1983.
Wang Anguo: A Review of the ''New Tide'' in China's Musical Composition.
in MUSICOLOGY IN CHINA, Beijing, 1989.
Wang Lisan: New Tide and old Roots: Special Speech at the ''1st Modern Chinese Composers' Music Festival'' in Hong Kong.
in MUSICOLOGY IN CHINA, Beijing, 1989.
Wang Yuhe: Zhongguo Jin Xiandai Yinyue Shi.
RENMIN YINYUE CHUBANSHE, Beijin, 1984.
Wei Tingge: ''Developments in China's Piano Composition''.
in MUSICOLOGY IN CHINA, Beijing, 1989.
Witzleben J. Lawrence: Studying Chinese Music in Shanghai.
in CHINA EX NEWS, dic 1983.
Wu The Li: The Maoist Struggle in the Musical Arena: Criticism of the Untitled Music.
in ISSUES AND STUDIES, mag 1974.
Zheng Yinglie: Letter from China: The Use of Twelve-Tone Technique in Chinese Musical Composition.
in THE MUSICAL QUARTERLY, New York, n.3 1990.
Partiture .
Chen Xiaoyong: *
Streichquartett nr.1. 1986/1987.
Chen Yi: *
Woodwind Quintet. New York, 1987.
Chen Yi: *
As in a Dream: Two Songs for Soprano, Violin and Cello. Poems by Li qingzhao (Song Dynasty). New York, 1988.
Gang qin Xie Zou Qu ''Huang He''. RENMIN WENXUE, Beijing, 1980.
Ge Ganru: *
Yi Feng (For Solo Cello). 1983.
He Xuntian: *
Sounds of Nature. 1986.
Nieh Erh: Marcia dei Volontari-Inno Nazionale Cinese.
in CHINA RECONSTRUCTS, ott 1978.
Qu Xiaosong: *
Mong Dong. 1984.
Xu Shuya:
Taiyi II pour Flute et Bande. 1991.
Xu Yi:
Tao 1. Paris, 1991/1992.
Yin Cheng Tsung: Composizione Pianistica ''La Lanterna Rossa'' col Canto dell'Opera di Pechino.
Supplemento Speciale a ''LA CINA'', n. 9, 1968.
Discografia.
1) Musica Tradizionale: Sword Dance: Chinese Plucked Instrumental Music Series vol.1.
CD HRP724-2 HUGO PRODUCTIONS, Hong Kong, 1988.
2) The Hugo Masters: an Anthology of Chinese Classical Music voll 1 (Bowed String), 2 (Plucked String), 3 (Wind Instruments), 4 (Percussion).
CCDD 13042-2, 13043-2, 13044-2, 13045-2, HUGO PRODUCTIONS, Hong Kong, 1992.
3) China-Music of the Pipa. Li Pui-yuen Pipa.
CD 7559-72085 ELEKTRA ENTERTAINMENT, New York, 1991.
4) The Guo Brothers: Yuan.
CD RW11 REAL WORLD, Wiltshire UK, 1990.
5) Dragon Boat: Pipa Solos by He Shufeng.
EL-181 CHINA RECORD CO.,Shanghai, 1987.
6) Chinese Melody. Ensemble of Plucked Instruments.
HL-600 CHINA RECORD CO., Shanghai, 1989.
7) Moonlight Melodies vol.1. The Orchestra of Shanghai Conservatory.
HRP803/4 HUGO RECORDING, Hong Kong, 1987.
8) Liu Tianhua - Hua Yanjun: Masterpieces on the Erhu.
8602 CHINA TOURISM AUDIO-VISUAL PUBLICATION, 1982.
9) Xian Xinghai: Yellow River Cantata.
PHILIPS.
10) The Yellow River - Piano Music by Chinese Composers.
CD CCD89/063 CHINA RECORD CO, Shanghai, 1989.
11) First Contemporary Chinese Composers Festival.
CD 8.240442HK PACIFIC MUSIC CO., Hong Kong, 1986.
12) Compositions Awarded with Chinese Record Prizes.
HL-513 CHINA RECORD CO., Shanghai, 1986.
13) Compositions Awarded with Chinese Record Prizes.
HL-514 CHINA RECORD CO., Shanghai, 1986.
14) Tan Dun: Nine Songs - Ritual Opera.
CD 603CRI CROSSINGS PRODUCTIONS, New York, 1990.
15) Ye Ganru: Composizioni.
Registrazione dalla radio olandese, 1990.
16) Seven Chinese Contemporary Composers.
Concerto tenuto il 3 aprile 1991 a Utrecht e trasmesso alla radio olandese.
17) Xu Shuya: Composizioni.
Registrazione da Radio France, 1991.